Modesty Myths

This is part of an interesting article about modesty I read here. It's a bit lengthy, but I found the author's take on things pretty interesting and insightful. Enjoy.

Four Myths Exposed

A First step toward reviving respect for modesty in our culture is to strike at the myths that undermine it. Let me touch on four of these.

The first myth is that modesty is Victorian. But what about the story of Rebecca and Isaac? When Rebecca sees Isaac and covers herself, it is not because she is trying to be Victorian. Her modesty was the key to what would bring them together and develop a profound intimacy. When we cover up what is external or superficial — what we all share in common — we send a message that what is most important are our singular hearts and minds. This separates us from the animals, and always did, long before the Victorian era.

The second myth about modesty is that it's synonymous with prudery. This was the point of the dreadful movie Pleasantville, the premise of which was that nobody in the 1950s had fun or experienced love. It begins in black and white and turns to color only when the kids enlighten their parents about sex. This of course makes no sense on its face: If the parents didn't know how to do it, then how did all these kids get there in the first place? But it reflects a common conceit of baby boomers that passion, love and happiness were non-existent until modesty was overcome in the 1960s. In truth, modesty is nearly the opposite of prudery. Paradoxically, prudish people have more in common with the promiscuous. The prudish and the promiscuous share a disposition against allowing themselves to be moved by others, or to fall in love. Modesty, on the other hand, invites and protects the evocation of real love. It is erotic, not neurotic.

To illustrate this point, I like to compare photographs taken at Coney Island almost a century ago with photographs from nude beaches in the 1970s. At Coney Island, the beach-goers are completely covered up, but the men and women are stealing glances at one another and seem to be having a great time. On the nude beaches, in contrast, men and women hardly look at each other — rather, they look at the sky. They appear completely bored. That's what those who came after the '60s discovered about this string of dreary hookups: Without anything left to the imagination, sex becomes boring.

The third myth is that modesty isn't natural. This myth has a long intellectual history, going back at least to David Hume, who argued that society invented modesty so that men could be sure that children were their own. As Rousseau pointed out, this argument that modesty is a social construct suggests that it is possible to get rid of modesty altogether. Today we try to do just that, and it is widely assumed that we are succeeding. But are we?

In arguing that Hume was wrong and that modesty is rooted in nature, a recently discovered hormone called oxytocin comes to mind. This hormone creates a bonding response when a mother is nursing her child, but is also released during intimacy. Here is physical evidence that women become emotionally bonded to their sexual partners even if they only intend a more casual encounter. Modesty protected this natural emotional vulnerability; it made women strong. But we don't really need to resort to physiology to see the naturalness of modesty. We can observe it on any windy day when women wearing slit skirts hobble about comically to avoid showing their legs — the very legs those fashionable skirts are designed to reveal. Despite trying to keep up with the fashions, these women have a natural instinct for modesty.

The fourth and final myth I want to touch on is that modesty is solely a concern for women. We are where we are today only in part because the feminine ideal has changed. The masculine ideal has followed suit. It was once looked on as manly to be faithful to one woman for life, and to be protective toward all women. Sadly, this is no longer the case, even among many men to whom modest women might otherwise look as kindred spirits.